healthydiets.info
Clearly this genre, with the opportunities it offered for richness of sonority and patterns of symmetry, had a particular appeal for him. The quintet in C Major (K 515) is the most expansive and most richly developed of all his chamber works, while the G Minor (K 516) has always been recognized for its depth of feeling, which in the circumstances it is tempting to regard as elegiac.
But it remains a comic opera, as is made clear through the figure of Leporello, who from under a table offers the common man's wry or facetious observations; and at the end the surviving characters draw the moral in a cheerful sextet that has seemed jarring to later sensibilities more ready to identify with the rebellious Giovanni than with the restoration of social order that the sextet celebrates. The "demonic" character of the opera has caused it to exercise a special fascination for audiences, and it has given rise to a large critical, interpretative, and sometimes purely fanciful literature.
But Mozart's chief occupation during 1787 was the composition of Don Giovanni, commissioned for production in Prague; it was given on October 29 and warmly received. Don Giovanni was Mozart's second opera based on a libretto by Da Ponte, who used as his model a libretto by Giovanni Bertati, set by Giuseppe Gazzaniga for Venice earlier in 1787. Da Ponte rewrote the libretto, inserting new episodes into the one-act original, which explains certain structural features. A difference in Mozart's approach to the work—a dramma giocoso in the tradition of Carlo Goldoni that, because of its more serious treatment of character, had a greater expressive potential than an opera buffa —is seen in the extended spans of the score, with set-piece numbers often running into one another. As in Figaro, the two act finales are again remarkable: the first for the three stage bands that play dances for different social segments—a suggested social compatibility that is shattered by the Don's attempted rape of the peasant Zerlina—the second for the supper scene in which the commendatore's statue consigns Giovanni to damnation, with trombones to suggest the supernatural and with hieratic dotted rhythms, extreme chromaticism, and wildly lurching harmony as Giovanni is overcome.
Today it may seem inconceivable that authentic acting was no matter of course on the opera stages in Mozart's time. It is one of Wolfgang Amadeus Mozart's greatest achievements that he expected this from his singers. … and in the play Don Giovanni is an unscrupulous seducer of women in Seville. Accompanied by his cunning servant Leporello, he leaves conquests, jealousies and broken hearts in his wake. He is dead set on seducing Donna Anna or Elvira, whom he has already left and who is far from being fond of his advances. Finally he discovers Zerlina at a peasant wedding… He constantly falls freshly in love and leaves his current lover to leap into the arms of another. His opponent is the Commendatore, Donna Anna's father, whom he murders in a duel. The statue of the Commendatore looms over his grave. This statue starts speaking to Don Giovanni, inviting him to the grave. Don Giovanni agrees against the advice of his servant Leporello. The statue demands that Don Giovanni repents. He refuses and is dragged into hell.
The opera did, however, enjoy outstanding popularity in Prague, and at the end of the year Mozart was invited to go to the Bohemian capital; he went in January 1787 and gave a new symphony there, the Prague (K 504), a demanding work that reflects his admiration for the capabilities of that city's musicians. After accepting a further operatic commission for Prague, he returned to Vienna in February 1787. The characters Susanna (left) and Cherubino in a scene from Wolfgang Amadeus Mozart's opera The Marriage of Figaro. Ann Ronan Picture Library/Heritage-Images Mozart's concert activities in Vienna were now on a modest scale. No Viennese appearances at all are recorded for 1787. In April he heard that his father was gravely ill. Mozart wrote him a letter of consolation putting forward a view of death ("this best and truest friend of mankind") based on the teachings of Freemasonry, which he had embraced at the end of 1784. Leopold died in May 1787. Mozart's music from this time includes the two string quintets K 515–516, arguably his supreme chamber works.
Your current browser isn't compatible with SoundCloud. Please download one of our supported browsers. Need help?
Much more than documents. Discover everything Scribd has to offer, including books and audiobooks from major publishers. Cancel anytime. 95% found this document useful (22 votes) 9K views 305 pages Date uploaded May 09, 2013 Copyright © Attribution Non-Commercial (BY-NC) Available Formats PDF or read online from Scribd Did you find this document useful? 95% found this document useful (22 votes) 9K views 305 pages Jump to Page You are on page 1 of 305 Reward Your Curiosity Everything you want to read. Anytime. Anywhere. Any device. No Commitment. Cancel anytime.
If you use and like, thank you to consider support donation. About / Member testimonies Choral Sheet music › Piano and Voice Wolfgang Amadeus Mozart << Previous sheet music Next sheet music >> LIKE SHARE PLAYLIST VIDEO MP3 • • • Annotate this sheet music Note the level: Note the interest: View Download PDF: Complete Score (Italian / German) - August Eberhard Müller (218 pages - 10. 82 Mo) 6691x ⬇ CLOSE For 20 years we provide a free and legal service for free sheet music without asking you anything in exchange. If you use and like, thank you to consider support donation. " Do not see this window again for the duration of the session. View Download PDF: Complete Score (Italian / German) - August Eberhard Müller ( 11. 5 Mo) View Download PDF: Complete Score (French) - Émile Bourgeois ( 14. 77 Mo) View Download PDF: Complete Score (Italian / English) - Natalia Macfarren ( 32. 35 Mo) Composer: Wolfgang Amadeus Mozart (1756 - 1791) Instrumentation: Piano and Voice Style: Opera Lyricist: Lorenzo Da Ponte Langage: Italian Date: 1787 Copyright: Public domain Sheet central: Don Giovanni (Don Juan) (40 sheet music) Added by FS the 2014-03-27 0 comment Buy sheet music books PIANO, VOICE World wide shipping › Follow this free score › Follow Mozart, Wolfgang Amadeus (composer) Report problem Sheet music sales from USA 27 scores found for "Don Giovanni (Vocal score)" Details Wolfgang Amadeus Mozart: Don Giovanni Piano, Voice [Vocal Score] Boosey and Hawkes $41.
healthydiets.info, 2024